Tuesday, September 11, 2007

Rich Gets Fucked


So two fairly big bits of news today.Firstly as some of you might have seen from our myspace blog Richard"RIM"Phoenix has broken his arm skateboarding.The repercussions of this is that we are obviously gonna be out of action as a performing band for the next few months,hopefully we will be playing shows by November depending on how his arm is.We can all take solice in the fact that I have been assured he did it while busting rad air over over a hip.It seems he got over confident tweaking out his nose grab and just got cocky trying to land it in a manual.Yeah thats definitely what happened, its not like he was just carving up a concrete bowl and just fell over for no reason...nope he would never do that.....So anyway what this does allow us to do is actually get organised and finally finish off those pesky records we have been talking about for the last year,hell we might even get them done in time for our two year anniversary.Our side of the The Mercury League Split has been remixed by Dave for the 20th time and last night we re-recorded the vocals for the lightyear release.I have to say both sound pretty sweet, but then im probably biased arent I?

xBOKx

Monday, September 03, 2007

Friday, August 31, 2007

The Short Shorts Super Team!



As some of you may have noticed, from the fact that we played a show in the UK a few days ago, WE ARE BACK FROM THE USA!Now that the jet lag has worn off and we are begining to realise just how crappy not touring is as the wave of real life responsability crashes into the steal HQ I thought now would be a good time to say a few words.On the whole our experiences in America were amazingly positive and we are eternally indebted to certain groups of people for taking a bunch of lost brits under their collective wings and treating us like we had known them our whole lives (and not like the unwashed drunks that kept you all up when we stayed at your houses).A few words of thanks here can't really sum up how grateful we all are to the people that helped us when we were 3000 miles away from home, but suffice to say you all made it the best holiday/tour ever and we hope you stay in contact.

Super Duper thanks go to
-Jimmy "Disco" Doyle of the Fad for driving us on the tour and not calling us idiots for booking shows that were 12 hours apart (it didnt look that far on the map!).
-Andy,Josh,Jared and Dan of PIB for sorting us out with a rad show,taking us to kareoke and letting us sleep on your floor (not to mention the 4am pretzels).
-The Richmond Horror Girls for letting us abuse both your flats and being our den mothers (and for putting up with the extra Love Knife members).
-Ken,Ryan and Mellissa for all the fun down in South Carolina as well as the birthday pie for Dave and Rich.
-Kate and the Ashbury Lanes for all the hospitality in New Jersey and for having one of the coolest venues ever.
-The Doyle household for feeding us("But what do you eat if you dont eat meat?"),cleaning us and letting us swim in your pool.
-Missy and Gemma for a memorable night/morning on the streets of New York.
-The Punknews dudes and dudettes for streaming the album and being so much help.
-Stella for a rad night out and an even radder last show.
-Simon for the amazing bbq.
-Andreas for letting us crash on your floor so many times,being such a good friend and a cool dude,Love Knife misses you Bruno.
-All the american kids that came to our shows, sorry to anyone that went to one of the shows we had to pull out of expecting to see us.
-All the promoters for taking a chance on helping us out.
-The Fad for all being cool people and for not getting angry at us stealing their singer away for 2 weeks.
-Charles at Get outta town records for putting out our cd in the usa,sorting us out with so much help and being an amazing dude.
-Pete and Lindsey for lending us so much stuff at such short notice.
-All the people at www.enemyink.com for sorting out our merch etc.
-All the people that i have no doubt forgotten to name check, sorry my memory is rubbish!

These bands are amazing check them out
The Fad, Dirty Tactics, Small Arms Dealer, Unicorn Basement, Dynamite Arrows, Eat and Run, Paint it black, One win Choice, Sensitive Ghost(sigh), Short Shorts Super Team and the amazing Love Knife.

Much Love - Check out the whole USA tour experience in the Usa Tour zine (on its way in a month or so)

x The Steal

Wednesday, August 29, 2007

Roast Egg


We're playing with Dean Dirg from Germany tonight at the GYC. We lost most of our plasti-flock, but at least we'll be playing our own guitars again!

Sunday, August 12, 2007

des laser



we made it!

we're now here in america, in richmond. come on.

love you.

x

Tuesday, August 07, 2007

Stream, stream, stream, stream, stream...

Those lovely chaps and chapesses at Punknews.org have our entire album up for stream on their site in celebration of our album being put out by Get Outta Town, you can celebrate with everyone else here and here.

We have a few more dates confirmed for the tour. Check the shows for details. ta.

ALSO we're playing tonight at the Kingston Peel, bring your dancing shoes.

x

Friday, August 03, 2007

Busy Bee.

For all the kids who like to sing along... LYRICS!



and and and and... i made a Steal VIRB account which we're going to use eventually to stream all our songs, I just put up the songs from the split we did with Set Your Goals last year. Bonzer.

Wednesday, August 01, 2007

Over the Sea and far away...



Right, for once we have a load of actual real useful information to give you. Come on.

Firstly our album, The Steal, is getting released in the United States of America!!! The wonderful chaps at Get Outta Town records are doing this with us and we're stoked that they're into the album enough to put it out over there... so much so that we'd like to collectively hug and kiss them. This is what they had to say about us...

"What would you get if you crossed Kid Dynamite, Descendents and Gorilla Biscuits? The catchiest and most incredible love-child ever, THE STEAL! UK's THE STEAL have taken the traditional forms of melodic punk and hardcore and churned it into something of their own. Packing more hooks than a tackle box into songs less under a minute long, THE STEAL has proven that be it a house show or packed venue, they understand how to keep the spirit of punk and hardcore going strong.
THE STEAL has shared the stage with such bands as Lifetime, Shook Ones, Good Clean Fun, Set Your Goals (with whom they released a split 10") and Paint It Black. Be on the lookout for these dudes to hit US shores for a northeast tour in August 2007! Just when you thought there couldn't be any catchier, faster, and more melodic music...."


...Scooter comes along and saves the day!
Anyway, what can we say Charles? flattery will get you everywhere.

This will be released in time for our second major news announcement...

Our US East Coast tour! Hooray!! As with everything we do, it's all turning out to be quite last minute. We leave next Thursday, the 9th of August and return on the 24th. Holy shit, that's a week away!
What we have so far is on the shows page, and they'll be a few more TBC's confirmed over the next few days.

Other things that should know about is the 2 shows we're playing with Set Your Goals before we head of to the US of A... Next tuesday in Kingston at the Peel, and the wednesday in Brighton at the Engine Rooms. these should be a lot of fun, and it'd be nice to see some friendly faces before we head off into the great unknown of TOUR...
"this is a car park, not a hotel.
this is a packet of crisps, not a meal.
give me my bloody job back.
this is a tour, not a holiday."

Thursday, July 05, 2007

WHAT THE FUCK IS THIS CALAMITY.



Hooray!

No smoking in venues again!

My lungs may now have a chance to return to their normal state after all.

ANYWAY.

Download this.

It's great.

Our music video for breakout (at last!) -

Tuesday, July 03, 2007

goodbye, half a million quid


The high cost of selling out

You've got the band, you've got the talent (or you'd like to think so) - all you need now to make the big time is that killer hit ... and about half a million pounds. Dave Simpson reports on the price of fame or, more realistically, the cost of squandering money on a lost cause

Friday June 29, 2007
The Guardian


Advance: £150,000
An advance is the money a record company gives to the band when the contract is signed - it's cash the label plans to recover from the earnings the band will make from future CD and download sales. It is meant to cover the band's living expenses over the cycle of a recording, releasing and promoting an album (which is usually around 18 months). The advance is split between the four members, and the manager will take 20% off the top. That works out as less than pounds 35,000 each over a year and a half, which isn't enough to make throwing TVs out of hotel windows a viable financial option.

Recording costs: £100,000
A hundred grand, staggering as it sounds, is an average figure for a band to spend on recording an album. They'll have run through the recording in a decent studio with a reasonable producer - for that kind of money they can't afford to spend eight weeks rerecording one tom-tom. A chunk of the money - around £30,000 - will go to whichever whizz kid producer is entrusted with the task of turning tuneless reprobates from Rugby into a collision of the Beatles and the Stones. More will go to recording engineers, remixers, as well as towards studio hire and the costs of mastering the record.

Videos: £90,000
In 1995, Michael Jackson's record company spent more than $7m making the video for Scream ($53,000 alone was spent on breaking guitars), but a band can now make a decent promotional tool for as little as £5,000, though a major label will spend more than that to get a shot at rotation on MTV2. A new act would ideally be partnered with a hip promos director, such as Wiz (who shot Kasabian's Empire but charges a minimum of £80,000), but it's more likely band and label will reach a compromise, maybe £90,000 for videos for two songs shot by someone who'll work for less.

Advertising and posters: £95,000
The age-old industry tool of a "blaze" of publicity has not got any cheaper. A half-page ad in NME might cost £5,000, while an advert on MTV2 or Kerrang! TV costs £10,000 per single (that's the price of airtime plus the costs of making the ad). A good poster campaign costs £10,000 per single and £15,000 for an album, but posters can be wasted money, as our expert explains: "All Saints had a massive comeback campaign but the record bombed. You can't take those posters down, whereas if they'd booked TV airtime they could have switched it to a different act."

Clothing: £200
Many rock bands don't spend money on stylists, at least until they're in contention for glossy magazine covers - they're scruffy blighters because their fans think filth looks cool. Generally, the only time a rock band will shell out on outfits will be for a certain look for a video, and that's covered by the video budget. "Bands like Hundred Reasons or the View have not spent money on clothes," says a music industry expert, "although we recently had to give one band's manager £200 to get them some new trainers, because their feet smelled."

Touring: £40,000
Bands start to make money from touring once they're successful, but before that the record company must pay to send them round the country, with a sound man. Rising bands typically lose around £20,000 over three UK tours in a year this way. Bands seeking to get major exposure as support to an established act may even be forced to pay to get on the bill, depending on how unscrupulous the headliners' management is. More money - another £20,000 - goes on travelling to TV and radio sessions and hiring equipment. Bands claw this back through merchandising: a £10 T-shirt makes six quid a time for the group.

Retail and displays: £53,000
Not many people know that those eye-catching window displays in record shops are actually bought and paid for. Getting the likes of HMV and Virgin to stock and put up instore promotion for a CD costs around £10,000 for a debut single, £18,000 for a higher profile follow-up and £20,000-£25,000 for an album. Similar deals are done for piles of beans in supermarkets, although you wouldn't put them in your CD player.

Photos: £10,000
It will take a top rock photographer to turn the four former butchers and builders from Plymouth into four budding and brooding Johnny Borrells. A master of the moody image such as Kevin Westerberg (famed for shots of the likes of REM and Thom Yorke) won't take the lens cap off for less than £10,000, and that's before the cost of hiring studios, lights and so on. Luckily, a lesser name can do the whole package for under £5,000, while for those on a particularly tight budget there's always the photo booth in Boots.

Conquering the internet: £20,500
It costs around £3,000 to create the band's website, but you've also got to hire a publicist to bring the band to the attention of music websites, make tracks available digitally and pay someone to update a band's MySpace site. Another bare minimum of £4,500 (£500 a month over nine months) goes on paying a firm to set up "street teams" - armies of highly motivated whippersnappers who promote a band because they love them. Street teams themselves don't get paid, but they get to meet the band at the soundcheck, get a T-shirt and a copy of the album. Flyers and other tools for these pesky kids add another £3,000.

Creating a buzz: £36,000
Around £12,000 goes on retaining a TV plugger for six months to take your video to the TV stations. That is vitally important when a show such as Later with Jools Holland can massively raise a band's profile. "Later's not easily pluggable, but you wouldn't get on the show without a plugger," the Guardian is told. "They'd never put a band on who they stumbled across in the pub." You need a different plugger to get you on to radio, and another publicist to deal with the print media - and you'll be paying them the same as the TV plugger.

Total cost: £594,700
Launching a band is ludicrously expensive, but it's not all dead money. Of the expenses quoted above, the label will generally recoup around 50% of video costs once the band starts to sell records, and they can also claw back some of the costs of touring, recording - and, of course, the advance will come back once the band have earned that much money from sales. But the rest is lost, and as our expert puts it: "Obviously, if the band flops, all is lost." And that's the key point: most band are destined to fail. So, goodbye, half a million quid.